in press
Zamm, A., Palmer, C., Bauer, A., Bleichner, M., Demos, A., & Debner, S. (in press) Behavioural and neural dynamics of interpersonal synchrony between performing musicians. Frontiers Human Neuroscience
accepted
Grahn, J., Matke-Bauer, A-K-R., Zamm, A. (accepted). Is neural entrainment to rhythms the basis of social bonding through music? [Commentary on "Music as a coevolved system for social bonding" by Savage et al.]. Behavioral and Brain Sciences.
2021
Zamm, A., Debener, S., Konvalinka, I., Sebanz, N., Knoblich, G. (2021). The Sound of Silence: An EEG study of how musicians time pauses in individual and joint music performance. Social Cognitive and Affective Neuroscience, 16, 31-42, https://doi.org/10.1093/scan/nsaa096
2020
2019
Scheurich, R., Demos, A., Zamm, A., Mathias, B., & Palmer, C. (2019). Capturing intra- and inter-brain dynamics with recurrence quantification analysis. In AK Goel, CM Seifert, & C Freksa (Eds), Proceedings of the 41st Annual Meeting of the Cognitive Science Society (pp. 2748-2754). Montreal, QC: Cognitive Science Society.
Zamm, A., Palmer, C., Bauer, A.-K. R., Bleichner, M.G., Demos, A.P., & Debener, S. (2019). Synchronizing MIDI and wireless EEG measurements during natural piano performance. Brain Research 1716, 27-38. DOI 10.1016/j.brainres.2017.07.001
2018
Zamm, A., Wang, Y., & Palmer, C. (2018). Musicians' natural frequencies of performance display optimal temporal stability. Journal of Biological Rhythms, DOI 10.1177/0748730418783651.
Zamm, A., Debener, S., Bauer, A-K.R., Bleichner, M.G., Demos, A.P., & Palmer, C. (2018). Amplitude envelope correlations measure synchronous cortical oscillations in performing musicians. Annals of the New York Academy of Sciences. DOI 10.1111/nyas.13738.
Scheurich, R., Zamm, A., & Palmer, C. (2018). Tapping into rate flexibility: Musical training facilitates synchronization around spontaneous production rates. Frontiers in Psychology, DOI 10.3389/fpsyg.2018.00458
2017
Kominsky, J., Zamm, A., Keil, F. (2017). Knowing when help is needed: Developing a sense of cognitive complexity. Cognitive Science. DOI 10.1111/cogs.12509
Palmer, C., & Zamm, A. (2017). Interactions in ensemble music performance: Empirical and mathematical accounts. In M. Lessaffre, M. Leman, P.-J. Maes (Eds), The Routledge Companion to Embodied Music Interaction (pp. 370-379). London: Routledge.
2016
Zamm, A., Wellman, C., Palmer, P. (2016). Endogenous rhythms influence interpersonal synchronization. Journal of Experimental Psychology: Human Perception and Performance. DOI 10.1037/xhp0000201.
2015
Zamm, A., Palmer, C., Pfordresher, P. (2015). Temporal coordination in joint music performance: Effects of endogenous rhythms and auditory feedback. Experimental Brain Research. DOI 10.1007/s00221-014-4140-5.
2013
Zamm, A., Schlaug, G., Eagleman, E., Loui, P. (2013). Pathways to seeing music: Enhanced structural connectivity in colored-music synesthesia. NeuroImage 47, 359-366. DOI 10.1016/j.neuroimage.2013.02.024.
2012
Loui, P., Zamm, A., Schlaug, G. (2012). Enhanced functional networks in absolute pitch. NeuroImage 63, 632-640. DOI 10.1016/j.neuroimage.2012.07.030.
Loui, P., Zamm, A., Schlaug, G. (2012). Absolute pitch and synesthesia: Two sides of the same Coin? Proceedings of the 12th International Conference on Music Perception and Cognition, Thessaloniki, Greece.
*Indicates joint first authors